Ariana Grande’s vocal range spans approximately D3 to E7 — about four octaves, including her whistle register. Her voice type is a light lyric soprano, characterised by an agile, bright tone, smooth register transitions, and one of the most prominent whistle registers in contemporary pop. She is frequently compared to Mariah Carey for her range

Bruno Mars’s vocal range is commonly cited as B♭2 to D6, a little over three octaves. His voice type is usually described as tenor: Wikipedia credits him with a “three-octave tenor vocal range”, and the melodies of his hits sit high, mostly between F3 and E♭5, with a strong falsetto above that. Mars is known

Elvis Presley’s vocal range is usually given as about G2 to B4 in full voice, with falsetto reaching at least D♭5: roughly two and a half octaves. Those are the figures of music critic Henry Pleasants, who called him a high baritone whose voice could also reach into tenor territory. Like every published range for

Michael Jackson’s vocal range spanned approximately E2 to A5 — close to four octaves. His voice type was a light lyric tenor, characterised by a bright, agile tone, exceptional rhythmic precision, and a distinctive use of vocal percussion, hiccups, and breathy emphasis. The King of Pop’s voice was as recognisable as his dance moves. Michael

Quick answer: Freddie Mercury’s vocal range is most often quoted as F2 to F6, exactly four octaves. The only peer-reviewed analysis of his voice, a 2016 study of his recordings, measured a reliable singing range of F♯2 to G5: 37 semitones, or just over three octaves. He is usually described as a baritone who sang

Whitney Houston’s vocal range is commonly cited as A2 to C6, just over three octaves (about 3.25). Her voice type is often described as a mezzo-soprano, although Wikipedia notes that she has also been called a soprano or a spinto soprano. Known as “the Voice”, Houston (1963 to 2012) mixed gospel-rooted phrasing with pop and

Mariah Carey’s documented vocal range spans approximately E2 to G7 — about five octaves — making her one of the widest-ranging voices in recorded pop history. Her voice type is a lyric coloratura soprano, though she frequently performs in a lower, mezzo-like register that gives her voice unusual warmth. She is best known for her

Beyoncé’s vocal range spans approximately A2 to E6 — more than three octaves. Her voice type is a mezzo-soprano with exceptional power across her entire range, from a resonant chest voice to a bright, agile upper register. She is known for combining technical precision — rapid runs, controlled belting, and pitch accuracy — with raw

Adele’s vocal range spans approximately C2 to C6 — close to three octaves. Her voice type is a mezzo-soprano, characterised by a powerful, resonant lower and middle register that gives her ballads their emotional weight. While she can reach high notes, her signature sound lives in the warm, rich alto-leaning part of her range where

Phil Anselmo’s vocal range spans roughly from G2 to C6 in his prime years, covering close to three octaves in clean modal voice. He is generally classified as a baritone, known for combining deep, heavy mid-range tones with aggressive metal screams and occasional high, piercing clean notes. That headline number only tells part of the